I write about writing a lot, you may have noticed. And handwriting is a subject close to my heart: I am both a writer (screenwriter, journalist, editor) as well as a calligrapher.
With a computer keyboard, pen and pad, inkwell and calligraphy nib – I write, therefore I am.
My old-fashioned hand lettering often fuses with the 21st century, be it in web headers or badges, or on these business cards that happen to belong to some fabulous bloggers. Love that interconnectivity. Love that my handwritten work often comes about via twitter and Facebook and other ways in which creative connections would never have been made without this speedy social media world we call home. Old meets new.
For me, calligraphy is the perfect balance – it requires focus and mindfulness that is often tossed to the wayside while we’re busily rushing about at the speed of our modems. Ink needs time to dry.
As it says on my TYPE A site, I love social media, but I want us to live social lives as well. And I mean it.
So, go grab some paper and write a real, honest to goodness letter. Redevelop that callus on your middle finger from years spent WRITING. Let’s bring back pen pals. xo a.
And now, five great things someone else said, vol. 24 Redux:
They don’t teach cursive anymore. The time I first heard that, my heart sank. I didn’t believe my young cousin – maybe she was wrong? Perhaps the LAUSD and the Santa Monica/Malibu school districts were different? No such luck.
Globalization was putting an end to cursive, which was fine and well. Except it wasn’t. I am a writer. Both as an art and a craft. Storyteller and calligrapher. How were people going to translate documents fifty, one hundred years from now when no one could write in modern ancient script?
It just felt like a massive leap from one age to the next, only I was standing here, straddling the lines between then and now. Between ink on page and stylus on screen. I like a mix of the two worlds but can’t fathom merely the latter. I wondered how many kids would never keep diaries, for I never found printing could keep up with my thoughts the way cursive could. Can. Who journals in print? Who takes class notes in print? (Who takes notes in notebooks anymore, Alex?) I love technology but there is something awesome in seeing the handwritten notes, letters, journals of your gr-gr-gr-grandfather. Or the speech of a great thinker. The notes of a poet.
Helvetica and Times New Roman just don’t cut it.
I once found some papers from the 1920s, signed by my great-grandfather. An uncle of mine marveled at how closely they signed their names. A particular curl here, a flourish there. They never knew each other in life, but here they connected. In ink on vellum.
Garamond is a lovely font but it just won’t suffice.
There is magic in handwriting. There is beauty in the written word. Be it a diary kept on the front during WWI or a recipe box filled with handwritten recipes, the more beloved dishes easily identified by the papers stained by boiling sauces and dustings of flour, the tattered edges of the 3.5×5 card stock.
I know the world is flat now, I see that Arial is far more useful than the Art of Handwriting, but who can forget the day they mastered the tricky uppercase Q or the lowercase Z? Small victories made by little hands using chunky navy blue pencils. It was a rite of passage, the day upon which we were allowed to begin doing our assignments in handwriting. It was exciting and fancy and made me practically a teenager. I would practice and practice. In pencil, ballpoint and chalk. In fountain ink and paintbrushes. My perfect cursive signature.
My mark. Left on the world. xo a.
Five great things someone else said about handwriting:
The only thing most people do better than anyone else is read their own handwriting. – John Adams
She always used the same method, faking the rigid t’s and b’s of her mother’s signature and then, to distinguish her own handwriting, penning her signature, Lux Lisbon, below, the two beseeching L’s reaching out for each other over the ditch of the u and barbed-wire x. – Jeffrey Eugenides, The Virgin Suicides
Her handwriting was curious — small sharp little letters with no capitals (who did she think she was, e. e. cummings?). – Erich Segal, Love Story
Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad.- Anne Lamott, Bird by Bird: Some Instructions on Writing and Life
When I’d checked into the bathroom with Seymour’s diary under my arm, and had carefully secured the door behind me, I spotted a message almost immediately. It was not, however, in Seymour’s handwriting but, unmistakably, in my sister Boo Boo’s. With or without soap, her handwriting was always almost indecipherably minute, and she had easily managed to post the following message up on the mirror; ‘Raise high the roof beam, carpenters. – J.D. Salinger, Raise High the Roof Beam, Carpenters and Seymour: An Introduction